Leigh hunt essays

There is, in fact, comparatively little in The Autobiography of Leigh Hunt dealing exclusively with Hunt; it is more a series of recollections and examinations of his many literary friends. This fact is of some importance in understanding Hunt the man, for it reflects a total lack of selfishness and a genuine sympathetic concern for the many fortunate people who won his friendship.

Leigh hunt essays

Milford, Oxford University Press,pp.

Leigh hunt essays

To add verses which I had rejected, would have been an injustice both to the readers and myself. I am so aware that the world is rich in books of all sorts, and that its attention, beyond the moment, is not to be looked for by voluminous writers, except those of the first order, that I have done my best to render my verses as little Leigh hunt essays of re-perusal, as correction Leigh hunt essays omission could make them.

I have availed myself of the criticism both of friends and enemies; and have been so willing to construe in my disfavour any doubts which arose in my own mind, that the volume does not contain above a third of the verses I have written.

Upon this I have acted in every instance, with the exception of the "Fragments upon the Nymphs," the "Sonnet on the Nile," and the passages out of the "Bacchus in Tuscany.

Of the "Bacchus" I retained a few specimens, partly for the sake of old associations, and of the tune echoed into it from the Italian; but chiefly in consequence of discovering that it had found favour in unexpected quarters.

What that power may be, if any, is another matter. I have not shovelled my verses out by cart-loads, leaving the public, much less another generation, to save me the trouble of selection!

I do not believe that other generations will take the trouble to rake for jewels in much nobler dust than mine. Posterity is too rich and idle.

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All houses are not palaces, nor every shrine a cathedral. Poetry, in its highest sense, belongs exclusively to such men as Shakespeare, Spenser, and others, who possessed the deepest insight into the spirit and sympathies of all things; but poetry, in the most comprehensive application of the term, I take to be the flower of any kind of experience, rooted in truth, and issuing forth into beauty.

All that the critic has a right to demand of it, according to its degree, is, that it should spring out of a real impulse, be consistent in its parts, and shaped into some characteristic harmony of verse. Without these requisites apart from fleeting and artificial causesthe world will scarcely look at any poetical production a second time; whereas, if it possess them, the humblest poetry stands a chance of surviving not only whatever is falsely so called, but much that contains, here and there, more poetical passages than itself; passages that are the fits and starts of a fancy without judgment—the incoherences of a nature, poetical only by convulsion, but prosaic in its ordinary strength.

The first quality of a poet is imagination, or that faculty by which the subtlest idea is given us of the nature or condition of any one thing, by illustration from another, or by the inclusion of remote affinities: Shelley for I avoid quoting from living writers, lest it should be thought invidious towards such as are not quoted puts that stately, superior, and comprehensive image, into the mouth of a speaker who is at once firm of soul, and yet anticipates a dreadful necessity— I see, as from a tower, the end of all: We behold him rising on its borders.

In proportion to the imagination, is the abstract poetical faculty: The greatest poets have the greatest amount of all these qualities conjoined: In every instance, the indispensable requisites are truth of feeling, freedom from superfluity that is, absence of forced or unfitting thoughtsand beauty of result; and in proportion as these requisites are comprehensive, profound, and active, the poet is great.

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The pretension is nothing; the performance every thing. A good apple is better than an insipid peach. A song of Burns is literally worth half the poets in the collections.

Crashaw is a poet now scarcely known except to book-worms. Far am I, in making these remarks, from pretending to claim any part or parcel in the fellowship of names consecrated by time. I can truly say, that, except when I look upon some others that get into the collections, consecrated by no hands but the book-jobbers, I do not know after I have written them whether my verses deserve to live a dozen days longer.

The confession may be thought strong or weak, as it happens; but such is the fact. I have witnessed so much self-delusion in my time, and partaken of so much, and the older I grow, my veneration so increases for poetry not to be questioned, that all I can be sure of, is my admiration of genius in others.

Essays by Leigh Hunt - Leigh Hunt - Google Books

I cannot say how far I overvalue it, or even undervalue it, in myself. I am in the condition of a lover who is sure that he loves, and is therefore happy in the presence of the beloved object; but is uncertain how far he is worthy to be beloved.

Perhaps the symptom is a bad one, and only better than that of a confident ignorance. Perhaps the many struggles of my life; the strange conflicting thoughts upon a thousand matters, into which I have been forced; the necessity of cultivating some modesty of self-knowledge, as a setoff to peremptoriness of public action; and the unceasing alternation of a melancholy and a cheerfulness, equally native to my blood—and the latter of which I have suffered to go its lengths, both as an innocent propensity and a means of resistance—have combined in me to baffle conclusion, and filled me full of these perhapses, which I have observed growing upon my writings for many years past.

All that I was going to say was, that if I cannot do in poetry what ought to be done, I know what ought not; and that if there is no truth in my verses, I look for no indulgence.

As I do write poetry however, such as it is, I must have my side of confidence as well as of misgiving; and when I am in the humour for thinking that I have done something that may dare hope to be called by the name, I fancy I know where my station is.

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I please myself with thinking, that had the circumstances of my life permitted it, I might have done something a little worthier of acceptance, in the way of a mixed kind of narrative poetry, part lively and part serious, somewhere between the longer poems of the Italians, and the Fabliaux of the old French.Editions for The Essays of Leigh Hunt: (Hardcover published in ), (Hardcover published in ), (Hardcover published in ), (Nook), IN making this selection from the essays of Leigh Hunt, my aim has partly been to provide a companion volume to the volume of essays which I edited in for the Scott Library.

I have therefore avoided using more than a very few of the essays which I had previously chosen, and I have used these 4/5(1). Leigh Hunt’s three-volume The Autobiography of Leigh Hunt has remained the single most important source of information on both the facts of his life and those personal attributes that influenced.

Leigh hunt essays

Jun 15,  · Mr. T. Moore.-Mr. Leigh Hunt, by William Hazlitt. Essay in The Spirit of the Age. Works by this author published before January 1, are in the public domain worldwide because the author died at least years ago. Good quotes from romeo and juliet for essays pro vs con essay materialism essay on youth.

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The Autobiography of Leigh Hunt Critical Essays - leslutinsduphoenix.com